Rudrum, David (University of Huddersfield, UK)

“To Act, To Do, and To Perform”: Cavell, Derrida, and the Performance of Performativity in Hamlet.

Stanley Cavell and Jacques Derrida both came to Hamlet comparatively late in their careers, and in both cases, their writings on Hamlet are somewhat peripheral to their philosophical projects. However, reframing their readings of this play through their writings on Austin’s concept of performativity can, as this paper will show, lead to a surprising reappraisal of their views on Shakespeare’s masterpiece, which in turn frames the concept of performativity in a new light.

Austin was notoriously dismissive of performatives spoken on stage; Derrida’s Signature Event Context challenges him on this view; Cavell’s “What Did Derrida Want of Austin?” aims to show how Derrida’s critique misses its mark. Curiously, however, when writing on Hamlet, it is Cavell – perhaps the foremost of Austin’s inheritors – who takes up Hamlet as a means of taking Austin’s formulation to task, while Derrida – perhaps the foremost of Austin’s critics – takes up Hamlet as an opportunity subtly to revisit his earlier critique in ways far more receptive to the idea of performativity. For example, Derrida’s readings of Hamlet explicitly call attention to scenes involving classic performatives such as the swearing of oaths, or bearing witness.

Yet, as the quotation in my title indicates, Hamlet has its own ideas of how performativity works. Cavell’s precept that Shakespeare’s plays offer investigations of their own theatricality gives us to see that Hamlet takes up the very issues that troubled Austin, including speaking performatives on stage, and swearing to things with the tongue but not the mind. Cavell and Derrida’s readings of Hamlet, then, show us that the play is an invitation to revisit the concept of performativity, yet the play itself does so in ways perhaps more destabilising to the idea of performativity than Cavell and Derrida might have realised.

David Rudrum is Senior Lecturer in English Literature at the University of Huddersfield. He has published a diverse body of work exploring the relationships between philosophy and literature from a range of cross-disciplinary angles, including his most recent book Stanley Cavell and the Claim of Literature, which came out last year. He has just finished editing an anthology of writings entitled Supplanting the Postmodern, which includes discussion of a variety of 21st century coinages such as metamodernism, digimodernism, hypermodernism, altermodernism, and such like. His next project, provisionally entitled Towards a Relational Poetics, evaluates the relevance of art theorist Nicolas Bourriaud’s work for the study of literature. http://www.hud.ac.uk/ourstaff/profile/index.php?staffuid=smusdr


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Ce contenu a été publié dans Abstracts, et marqué avec par Flore Garcin-Marrou.

Pour citer cet article : Flore Garcin-Marrou, "Rudrum, David (University of Huddersfield, UK)", Labo LAPS 2014. URL : http://tpp2014.com/rudrum-david-university-of-huddersfield-uk/

A propos de l'auteur : Flore Garcin-Marrou

Flore Garcin-Marrou est docteur en littérature française (Université Paris 4 – Sorbonne). Elle a enseigné les Études théâtrales à la Faculté libre des Sciences humaines de Lille et à l’Université Toulouse Le Mirail. Sa thèse s’intitule "Gilles Deleuze, Félix Guattari : entre théâtre et philosophie". Elle est l’auteur d’articles sur le théâtre au carrefour des sciences humaines. Elle est également metteur en scène de sa compagnie "La Spirale ascensionnelle" et poursuit un travail d’expérimentation théâtrale au sein du Laboratoire des Arts et Philosophies de la Scène (LAPS).