The Invisible Stage Hand, or the Drama of Capitalist Realism Mark Fisher has recently defined capitalist realism as “a pervasive atmosphere, conditioning not only the production of culture but also the regulation of work and education, and acting as a … Lire la suite
… avec TALBOT Armelle (Université Paris-Diderot, France) Scènes du deuil : le théâtre entre la vie et la mort Guillaume Sibertin-Blanc est Maître de Conférences en philosophie contemporaine à l’Université Toulouse 2-Le Mirail. Son travail porte sur la philosophie française … Lire la suite
Being Aside: Performative Discomfort My project considers the productivity of discomfort — both performances that discomfort, and performances of discomfort — and the affective impact of proximity . I am interested in how performances of nearness (especially to “difference”) can … Lire la suite
… with Loo, Stephen : The Grasshopper Cabaret: Performing philosophy at the limits of the human What might it be perform philosophy at the limits of the human? One site of this performance is where human and insect worlds meet. At … Lire la suite
Schicharin, Luc (doctorant, ATER, 2L2S ERASE, Université de Lorraine) : À la recherche d’une performativité transgenre : de Judith Butler à Lazlo Pearlman. Judith Butler réfléchit la notion de « genre » à partir des concepts linguistico-théâtraux de « performance … Lire la suite
Biological Plasticity and Performative Possibility Recent developments in neuroscience carry revolutionary implications for our understanding of subjectivity, confirming and nuancing postmodern theories of being as a continuous process of becoming, the self as always-already in flux. In Plasticity at the … Lire la suite
Performing violence in Sarah Kane’s Blasted (1995) and Polly Stenham’s The Face (2007)—on the precarity of sociality This paper aims at exploring the issues of representing and performing violence in two contemporary British plays in the light of Judith Butler’s … Lire la suite
“To Act, To Do, and To Perform”: Cavell, Derrida, and the Performance of Performativity in Hamlet. Stanley Cavell and Jacques Derrida both came to Hamlet comparatively late in their careers, and in both cases, their writings on Hamlet are somewhat … Lire la suite
Singularity, Theatricality, Iterability (On Samuel Weber) This paper will address the thinking of Samuel Weber – most obviously in his book Theatricality as Medium, but also in more recent work – in order to open up some questions around the … Lire la suite
… avec Jacinto, Gilles (Doctorant en études théâtrales, Université de Toulouse II) : Jeune scène queer : performance, théâtralité, politique. En nous appuyant sur un corpus d’œuvres scéniques de créateurs de moins de trente ans, issus en grande partie du théâtre … Lire la suite
