From the U.S. With Love Format: Multimedia, multi-sensory, site-specific, participatory performance Length: Durational throughout the conference, culminating in a final live 60-minute participatory performance In this site-specific, multi-sensory, participatory performance From the U.S. With Love we will create a space for meditation … Lire la suite
Lussac, Olivier (Université de Lorraine) et Barbéris, Isabelle (Université Paris-Diderot) : L’idée de « liminalité » dans la dramaturgie et la performance. Cf. Barbéris, Isabelle.
Performative Disciplinarity in Alternate Reality From Foucault to McKenzie and Beyond For Foucault, discipline was a subtle form of power that coerced the body in order to control its movements, attitudes and moods. A disciplined body was thus a body … Lire la suite
Playing with the King’s Two Bodies: Schmitt, Kantorowicz, and the Role of Theatricality In the past few decades, Anglo-American academic discourse has often pitted theatricality and performativity (and theatre against performance), with the former usually designating artificiality, make-believe, and duplicity, … Lire la suite
Performance, représentation et paradigme théâtral dans la sociologie goffmanienne. De la métaphore dramaturgique au concept sociologique, ou : ce que la métaphore théâtrale permet de penser en sociologie The presentation of self in everyday life (1956/1959) développait ce que Manning a … Lire la suite
Ludic and absurd theatre as political strategy in context of performative theory In my presentation, I wish to discuss Judith Butler’s book Giving an Account of Oneself in relation to the specific features of Central European avant-garde theater (Václav Havel, … Lire la suite
“Moving Ethically and Performing Positive Affirmation” In this paper, I argue that performance is ethical multiplicity—ethical because performance is articulable and multiplicity because it is always becomings as and alongside affect. Performance is then responsibility without identity and through affirmation. … Lire la suite
On Repetition and Theatricality: A Dialogue with Samuel Weber’s Thought (Through Kierkegaard, Freud, Lacan and Deleuze) Through Kierkegaard’s concept of Gjentagelse, I will delineate the concept of productive repetition and show its fundamental connection to theatricality. I will do this … Lire la suite
THE SCENE OF PERFORMANCE? A Lecture-Workshop by Esa Kirkkopelto, University of the Arts Helsinki This lecture workshop studies what a ‘performative element’ is like and how each one of us can become such an element. The event consists of three … Lire la suite
Metamimesis as co-knowing and co-making Metamimesis refers to the ancient category of mimesis (Halliwell), modified to account for the modern tendencies stemming from Romanticism (Pirholt). The inherent criteria of metamimesis were determined by A. Elias, who analyzed the British literary … Lire la suite
