Abiteboul, Olivier. (2002) Diagonales. Essai sur le théâtre et la philosophie. (ARIAS)
Aristotle, The Poetics
Artaud, Antonin (1958) The Theatre and Its Double, trans. Mary Caroline Richards (New York, NY: Grove Press)
Auslander, Philip (1997) ‘“Just be your self”: Logocentrism and differance in performance theory’, in Auslander, Philip, From Acting to Performance: Essays in Modernism and Postmodernism (New York and London: Routledge)
Badiou, Alain (2013) Rhapsody for the Theatre. (Paris: Verso)
——– (2005) ‘Theses on Theater’, in Handbook of Inaesthetics, trans. Alberto Toscano (Stanford, CA: Stanford University Press), pp. 72-78
Barthes, Roland (1977) Image Music Text, trans. Stephen Heath, London: Fontana Press.
Berleant, Arnold (1970) The Aesthetic Field: A Phenomenology of Aesthetic Experience (Springfield, Ill.: C. C. Thomas) – second (electronic) edition, with a new Preface, 2000)
Bleeker, Maaike (2004) ‘The A,B,C’s of Differance: Jan Ritsema and the Relationality of Theatrical Presence’, in de Bloois, J., Houppermans, S. and Korsten, F. (eds.) Discernements: Deleuzian Aesthetics/Esthetiques deleuziennes (Amsterdam/New York: Rodopi)
Bogue, Ronald (2003) Deleuze on Literature (London/New York: Routledge)
Bottoms, Stephen J. (1998) ‘The Tangled Flora and Fauna of Goat Island: Rhizome, Repetition, Reality’, Theatre Journal, Vol. 50, No. 4, pp.421-446
Bristol, Michael (2011) ‘Macbeth the Philosopher’, New Literary History, Volume 42, Number 4, Autumn 2011, pp. 641-662
Butler, Judith (1997) Excitable Speech: A Politics of the Performative. (New York and London: Routledge)
———. (2000) Antigone’s Claim: Kinship Between Life and Death. (Columbia University Press)
Butler, Judith and Athena Athanasiou (2013) Dispossession: The Performative in the Political (Polity Press)
Butler, Judith and Catherine Malabou (2010) Sois mon corps : Une lecture contemporaine de la domination et de la servitude chez Hegel (Bayard Jeunesse)
Cavell, Stanley (1996) ‘Macbeth Appalled’, in The Cavell Reader, Mulhall, S. (ed.) (Cambridge, MA: Blackwell Publishers, Inc.), pp. 197-220
Chaikin, Joseph (1984) Presence of the Actor, New York: Atheneum
Cull, Laura (2012) Performance Philosophy: The philosophical turn in Performance Studies (and a non-philosophical turn in Philosophy), Performance-Philosophy_CSSD_paper.pdf, unpublished conference paper at Performing Research: Creative Exchanges,Central School of Speech and Drama, London, UK, 19-20 January 2012
——– (2012) ‘Performance as Philosophy: Responding to the Problem of “Application”’, Theatre Research International, Vol. 37: 1 (February 2012), pp. 20-27
——– (ed.) (2009) Deleuze and Performance (Edinburgh: Edinburgh University Press)
——– (2009) How Do You Make Yourself a Theatre Without Organs? Deleuze, Artaud and the Concept of Differential Presence’ in Theatre Research International, Vol 34: 3, edited by Freddie Rokem, pp. 243-255
——— (2011) Performing presence, affirming difference: Deleuze and the minor theatre of Georges Lavaudant and Carmelo Bene’, in Contemporary French Theatre, edited by Carl Lavery and Clare Finburgh (Hampshire/New York: Palgrave Macmillan), pp. 99-110
——— (2012) ‘Affect in Deleuze, Hijikata, and Coates: The Politics of Becoming-Animal in Performance’, Journal of Dramatic Theory and Criticism, Volume 26, Number 2, Spring 2012, pp.189-203, abstract available here.
Deleuze, Gilles (1997) ‘One Less Manifesto’ in Murray, Timothy (ed.) Mimesis, Masochism and Mime: the politics of theatricality in Contemporary French Thought (Michigan: University of Michigan Press), translated by Timothy Murray and Eliane dal Molin
Derrida, Jacques (1978) ‘The Theatre of Cruelty and the Closure of Representation’, in Derrida, Jacques, Writing and Difference, trans. Alan Bass (Chicago: University of Chicago Press), pp.232-250
——— (1998) ‘Economimesis’, in The Derrida Reader: Writing Performances, Wolfreys, J. (ed.) (Lincoln: University of Nebraska Press), pp. 263-294
Diderot, Denis (1957) The Paradox of Acting (New York: Hill and Wang)
Dobson, Julia (2000) ‘At the Time of Writing Theatre: Cixous’s Absolute Present’, Paragraph, Vol. 23, Issue 3, pp.270-82
Feltham, Oliver (2006) ‘An Explosive Genealogy: Theatre, Philosophy and the Art of Presentation‘, Cosmos and History: The Journal of Natural and Social Philosophy, Vol 2, No 1-2.
Fortier, Mark (1996) ‘Shakespeare as “Minor Theatre”: Deleuze and Guattari and the Aims of Adaptation’, Mosaic, Vol. 29, No. 1 (March 1996), pp.1-18
Freeman, John (2007) New Performance/New Writing. Hampshire: Palgrave.
——– (2010) Blood, Sweat & Theory: Research Through Practice in Performance. Oxford: Libri.
——– (ed.) (2011) The Greatest Shows on Earth: World Theatre from Peter Brook to the Sydney Olympics. Oxford: Libri.
——— (1992) Unbalancing Acts: Foundations for a Theater, New York: Theatre Communications Group
Fuchs, Elinor (1985) ‘Presence and the Revenge of Writing: Re-Thinking Theatre after Derrida’ PAJ: Performing Arts Journal, Vol. 9, No. 2/3, 10th Anniversary Issue: The American Theatre Condition, pp. 163-173
Garner, Stanton B. (1994) Bodied Spaces: Phenomenology and performance in contemporary drama (Ithaca: Cornell University Press)
Gerland, Oliver (1989) ‘Lyotard and the theatre of energy’, in Rauch, Irmengard and Carr, Gerald F. (eds.), The Semiotic Bridge: Trends from California (Berlin/New York: Walter de Gruyter)
Gibson, Andrew (2006) Beckett and Badiou: the pathos of intermittency (Oxford: Oxford University Press)
Golub, Spencer (2001) Infinity (Stage) (Ann Arbor: The University of Michigan Press)
Grotowski, Jerzy (1984) Towards a Poor Theatre, ed. Eugenio Barba, London: Methuen
Golden, Leon (1992) Aristotle on Tragic and Comic Mimesis (Atlanta, Georgia: Scholars Press)
Hamilton, James R. (2007) The Art of Theater, Blackwell Publishing
Hans H. Diebner, ed. (2012) Performative Science – Reconciliation of Science and Humanities or the End of Philosophy? In: Studia UBB. Philosophia LVII, 1/2012. PDF available at: Performative Science
——— (2006) Performative Science and Beyond – Involving the Process in Research (Vienna: Springer).
Johnston, Daniel (2004) ‘Manual Metaphysics: Philosophy and Theatre‘, Philament: an online journal of the arts and culture, issue 4.
Jucan, Ioana (2012) ‘Losing the Temper of Reason: Self-reflections Out of Time’, Parallax, Vol.18, No.2, pp. 3-16
Kaynar, Gad and Ben-Zvi, Linda (2005) (eds.) Bertolt Brecht: Performance and Philosophy (Tel Aviv: Tel Aviv University/Assaph Book Series)
Kirkkopelto, Esa (2008) Le Théâtre De L’expérience – Contributions À La Théorie De La Scène (Paris: Sorbonne)
Kottman, Paul A. (2007) A Politics of the Scene (Stanford: Stanford University Press)
Kowsar, Mohammad (2001) ‘Deleuze on theatre: a case study of Carmelo Bene’s Richard III’, in Genosko, Gary (ed.) Deleuze and Guattari: Critical Assessments of Leading Philosophers, Vol. 1 (London/New York: Routledge)
Krasner, David and Saltz, David (ed.) (2006) Staging Philosophy: Intersections of Theater, Performance and Philosophy (Michigan: University of Michigan Press)
Lagaay, Alice (2001) Metaphysics of Performance: Performance, Performativity and the Relation Between Theatre and Philosophy (Berlin: Logos Verlag)
Lunberry, Clark (2000) “The Philosopher and the Geisha: Alphonso Lingis and the Multi-Mediated Performance of the Philosophical Text.” Discourse 22.2 (Spring 2000): 92-103.
McEvoy, William (2009) ‘ »Leaving a space for the non-theorizable »: Self and Other in Hélène Cixous’s Writing for the Theatre’, The European Legacy: Toward New Paradigms, Vol. 14, Issue 1, 2009, pp. 19-30
McKenzie, Jon (2001) Perform or Else: From Discipline to Performance (Routledge)
Melrose, Susan (2005) ‘Words Fail Me’, keynote address, Centre for Performance Research.
Murray, Timothy (ed.) (1997) Mimesis, Masochism & Mime: The Politics of Theatricality in Contemporary French Thought (Michigan: University of Michigan Press)
Nietzsche, Friedrich, The Birth of Tragedy: Out of the Spirit of Music
Nightingale, Andrea Wilson (1995) Genres in Dialogue: Plato and the Construct of Philosophy (Cambridge and New York: Cambridge University Press)
Nussbaum, M. (2008) ‘Stages of Thought‘, The New Republic.
Olf, Julian M. (1981) ‘Acting and Being: Some Thoughts about Metaphysics and Modern Performance Theory’, Theatre Journal, Vol. 33, No. 1, pp.34 – 45.
Oppo, Andrea (2008) Philosophical Aesthetics and Samuel Beckett, Peter Lang.
Plato, ‘Book VII’, ‘Book X’, in The Republic
Puchner, Martin (2010) The Drama of Ideas: Platonic Provocations in Theater and Philosophy (Oxford: Oxford University Press)
——- (2009) ‘The Theatre of Alain Badiou’, Theatre Research International, Volume 34, Issue 03, October 2009, pp. 256-266
——- (2002) ‘The Theater in Modernist Thought’, New Literary History, Vol. 33, No. 3, pp.521-532
Rabkin, Gerald (1983) ‘The Play of Misreading: Text/Theatre/Deconstruction’, PAJ: Performing Arts Journal, Vol. 7, No. 1, pp.44-60
Rayner, Alice (1994) To Act, To Do, To Perform: Drama and the Phenomenology of Action (Ann Arbor: University of Michigan Press)
Reinelt, Janelle (2004) ‘Theatre and Politics: Encountering Badiou’, Performance Research, vol. 9, no. 4, 2004, pp. 87-94.
Robinson, Douglas (November 2007) ‘The Spatiotemporal Dialectic of Estrangement’, TDR, Vol. 51, No. 4, pp. 121-132
Rokem, Freddie (2010) Philosophers and Thespians: Thinking Performance (Stanford: Stanford University Press),
——- (2009) (ed.) ‘Focus on Performance/Theatre and Philosophy’, Theatre Research International, Volume 34, Issue 03, October 2009, pp. 227-335
Saiu, Octavian (2010) In Search of Lost Space. Bucharest: UNATC Press.
Saltz, David (2001) ‘Why Performance Theory Needs Philosophy’, Journal of Dramatic Theory and Criticism, Vol. 16, No.1, pp.149-154.
Shusterman, Richard (2000) Performing Live: Aesthetic Alternatives for the Ends of Art (Ithaca: Cornell University Press)
———- (2012) Thinking through the Body: Essays in Somaesthetics (Cambridge: Cambridge University Press)
States, Bert O. (1985) Great reckonings in little rooms: on the phenomenology of theatre (California: University of California Press)
Stern, Tom. (2013) Philosophy and Theatre: An Introduction. (New York and London: Routledge)
Tassi, Aldo (1995) « Philosophy and Theatre: An Essay on Catharsis and Contemplation, » International Philosophical Quarterly 35, no. 4
Tassi, Aldo (1998) « Philosophy and Theatre”, in International Philosophical Quarterly, vol. 38, no. 1
Ten Cate, Ritsaert (1996) Man Looking for Words. Nederland: Theater Instituut.
Watt, Daniel and Meyer-Dinkgräfe, Daniel (2007) Theatres of Thought: Theatre, Performance and Philosophy (Newcastle: Cambridge Scholars Press)
Weber, Samuel (2004) Theatricality as Medium (New York: Fordham University Press)
Westfall, Joseph (2007) The Kierkegaardian Author: Authorship and Performance in Kierkegaard’s Literary and Dramatic Criticism, Kierkegaard Studies Monograph Series, vol. 15 (Berlin: Walter de Gruyter).
Wickstrom, Maurya (2012) Performance in the Blockades of Neoliberalism: Thinking the Political Anew (Palgrave)
Wilmer, S.E. and Zukauskaite, Audrone (2010) eds. Interrogating Antigone in Postmodern Philosophy and Criticism (Oxford: Oxford University Press)
Witmore, M. (2008) Shakespearean Metaphysics (London/New York: Continuum)
Woodruff, Paul (2008) The Necessity of Theater; The Art of Watching and Being Watched, Oxford: Oxford University Press
Zamir, Tzachi (2006) Double Vision: Moral Philosophy and Shakespearean Drama, Princeton, NJ: Princeton University Press
Zarrilli, Phillip B. (2004) ‘Toward a Phenomenological Model of the Actor’s Embodied Modes of Experience’, Theatre Journal, Vol. 56, No. 4, December 2004, pp. 653-666